Pierre Jeanneret (1896-1967)

Pierre Jeanneret (1896–1967), a Swiss architect and furniture designer, is perhaps best known for his collaboration with his cousin, Charles-Édouard Jeanneret-Gris (better known as Le Corbusier), on the groundbreaking modernist urban project of Chandigarh, India. Jeanneret’s work, however, extends beyond this collaboration, encompassing a diverse range of projects that have had a lasting impact on both architecture and furniture design.

Early Career and Collaborations

Born into a creative family in Geneva, Switzerland, Pierre Jeanneret was predestined for a life in design. He studied at the École des Beaux-Arts, after which he embarked on a career that would see him deeply involved in the modern movement. His early career was marked by collaborations with Le Corbusier, with whom he shared a profound professional and personal bond. Together, they explored the possibilities of new materials and construction techniques, contributing significantly to the development of modernist design.

The Chandigarh Project

The commission to design Chandigarh, the new capital city of the Indian states of Punjab and Haryana, in the 1950s, stands as the pinnacle of Jeanneret’s career. Tasked with creating a city that symbolized India’s newfound independence and modernity, Jeanneret, Le Corbusier, and their team designed a range of buildings, from administrative offices to educational institutions and residential areas. Pierre Jeanneret was deeply involved in the project, not only in its planning and architectural design but also in the design of furniture for these spaces. His work in Chandigarh demonstrated a commitment to functionality, simplicity, and the use of local materials, principles that were in line with the ethos of modernism.

Furniture Design

Jeanneret’s contributions to furniture design are characterized by a functionalist approach, combining simplicity with elegance. His designs, particularly those created for Chandigarh, are notable for their use of teak and cane, materials that offered durability and comfort in the hot climate of northern India. Pieces such as the V-leg armchair have become icons of mid-century modern furniture design, admired for their clean lines and timeless aesthetic. Jeanneret’s furniture was not merely functional but also deeply thoughtful, designed to serve the needs of the user with an elegance that transcends time.


After his work in Chandigarh, Jeanneret chose to remain in the city until his retirement, a testament to his dedication to the project and his love for India. Today, his legacy is celebrated not only in the buildings and furniture he designed but also in his influence on subsequent generations of architects and designers. His approach to design, which emphasizes functionality, simplicity, and the thoughtful use of materials, continues to inspire.

Pierre Jeanneret’s career offers a compelling narrative of collaboration, innovation, and dedication. His work in Chandigarh, in particular, stands as a monumental contribution to modernist architecture and design, reflecting a deep understanding of the role of architecture and design in shaping human experience. Through his enduring creations, Jeanneret remains a pivotal figure in the history of 20th-century design.


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