John Cheere’s transformation from haberdasher’s apprentice to one of 18th-century England ’s leading sculptors exemplifies his remarkable career shift. His acquisition of John Nost’s sculpture yard in 1739, in partnership with his brother, launched his celebrated work in lead garden statuary, a hallmark of aristocratic land scapes of the period.
Innovative Garden Sculpture
Cheere’s lead statues combined classical themes with pastoral motifs, catering to the tastes of Britain’s elite. His versatility is evident in his reproductions of ancient sculptures and original idyllic designs. The commission of 98 statues for the royal palace of Queluz in Portugal underscores his international acclaim.
Restoration and Legacy
The restoration of Cheere’s works, including the Queluz statues, by Rupert Harris Conservation in 2009, highlights the enduring value of his sculptures. Supported by the World Monuments Fund Britain, this effort reaffirmed his importance in the history of garden art.
Notable Works
- The Medici lions at Stowe House and figures for Stourhead gardens exemplify his integration of sculpture into landscape design.
- Public commissions, such as the gilded equestrian statue of William III and the lead statue of George II, reflect his role in civic commemoration.
- His statue of Shakespeare for Stratford-upon-Avon Town Hall, commissioned by David Garrick, highlights his contributions to cultural land marks.
Enduring Influence
Cheere’s sculptures, from garden figures to plaster busts, bridged classical inspirations with 18th-century aesthetics. His artistry continues to resonate, enriching the history of English sculpture and decorative arts.
