In the 19th century, teak was one of the most prized materials in Indian decorative arts. Celebrated for its rich colour, durability, and excellent carving qualities, teak was widely used to produce furniture and architectural elements that signified wealth and prestige. Nowhere was this more evident than in Bombay (modern-day Mumbai), where highly skilled craftsmen produced intricately carved pieces that became internationally sought after.
The distinct Bombay style, often referred to as Bombay Blackwood, drew on the dark tones of Rosewood and Malabar teak. These pieces were richly ornamented, blending Indian motifs with European design influences. A fine example is the Anglo-Indian armchair crafted in Bombay around 1840. Profusely carved with pierced details, extended paw feet, and a Regency-inspired silhouette, it reflects the transitional period when Indian artisans began incorporating local designsโsuch as peacocks and elephantsโinto furniture originally shaped by British taste.
Beyond seating, teak was employed in the creation of chests, tables, and architectural features. A late 19th-century residence chest, with robust joinery, bronze handles, and secure locking mechanisms, reveals both the functional and aesthetic qualities of the wood. Similarly, the traditional Thakat tableโused for eating, working, and sleepingโwas crafted from teak with turned legs, iron struts, and decorative brass fittings.
The adaptability of teak also extended to architectural works. Rare Indian teak doors from Pondicherry, influenced by the grandeur of the Louis XIV style, reveal the fusion of European decorative vocabulary with Indian craftsmanship.
Together, these examples highlight how 19th-century Indian artisans harnessed the strength and versatility of teak to create objects of both beauty and practicality, leaving a lasting legacy in the decorative arts.
