Sculpture

Nicholas Wells Antiques Ltd offers an outstanding collection of Sculptures and Grand Tour Objects dating from the 15th through to the 20th centuries. Early Gothic works are offered besides Renaissance, 17th, 18th & 19th-century Grand tour sculptures after the antique in bronze, terracotta, wood and marble.

Animalier
Columns
Figurative
Mythological
Portrait
Religious
Animalier
Columns
Figurative
Mythological
Portrait
Religious
19th century Bronze Bird of Prey Fighting a Serpent

£2,900

19th Century Bronze of a Gladiator

£6,000

19th Century Bronze Statue of Zeus riding an Eagle

£6,900

19th Century Grand Tour Bust of Julius Caesar

£8,500

19th Century Marble Pedestal Column

£1,900

Do you have something you’re wanting to consign?

19th Century Statuary Marble Bust of The Braschi Antinous as Dionysus, Signed Puge

POA

19th century Terracotta Relief Panel ||| Virgin & Child

£2,500

A Bronze Of The Goddess Diana By Barbedienne

£7,000

A Fine Richly Figured Marble Pedestal Column

£6,900

A George III Lead Bust Of Seneca

£55,000

A mid century bronze of a crouching panther or lioness

£2,650

A Pair Of Bronze Cherubs On Marble Bases

£6,500

A Pair of Classical Female Statues by Val D’Osne

£72,000

A pair of mid century faux marble painted column pedestals

£3,200

A Pair Of Painted Italian Pedestals

£12,000

A Russian Bronze Travelling Altar

£650

THE GRAND TOUR

During the eighteenth century, the ‘Grand Tour’ became an obligatory requirement of aristocratic status and refinement for men and women alike. The idea was that the journey, which could take over three years, would educate the individual in the ways of the world; culture, history, and sociability. Moreover, the studious observer would be able to recount their experiences to those less fortunate who were unable to travel, which therefore encouraged a sense of educational obligation.

The recalling of Grand Tour travels was an essential component of eighteenth-century sociability and an indulgent, but a frequent topic of conversation in an era where the conversation was perhaps the key tool of social intercourse. Samuel Johnson observed in 1776 that

“A man who has not been in Italy, is always conscious of an inferiority, from his not having seen what it is expected a man should see”.

In this way, the Grand Tour reflected many aspects of the so-called ‘Renaissance Man’ which essentially equates knowledge to status and power.

One of the results of such a quest for knowledge and self-fulfilment, was the abundance of European fine and decorative arts in England, as these Grand Tourists rather liked to bring back souvenirs as visual manifestations of their supreme education. Many of these were representations of ‘modern day’ cities that they had visited, however, there were several rediscoveries of classical antiquity over the course of the eighteenth century, such as Pompeii in 1748, which fuelled the centrality of antiquity within taste and fashion.

This encouraged the crafting of objects in direct imitation of their genuine, ancient counterparts, such as Boschetti’s bronze sculptures, Wedgewood’s Portland Vase and Battoni’s portraits of Grand Tourists in classical ruins, which filled the homes of England’s wealthiest subjects.

Typically, a route included travel through Belgium, France, and Switzerland, crossing the Alps to Italy and beyond to Greece and Egypt where they would then return to England via Austria, Germany and the Netherlands. The Grand Tour remained a staple of elite education throughout the early nineteenth century and was soon made even easier after the arrival of railways. Whilst this cheaper mode of transportation enabled more people to undertake a Grand Tour of sorts, it remained a symbol of wealth and prestige.

Today, the legacy of, what is essentially an eighteenth-century ‘Gap Year (or two)’, is the presence of many superb European fine and decorative arts within English collections. Despite their appeal to Grand Tourists, these objects were made by highly skilled artisans and had to be exceptional to appeal to the wealthiest members of English society. Amassed from all over Europe, they represent a key moment and social practice within history and their persistent popularity is a testament to both the continual attraction towards classicism and the pursuit of collecting itself.

Above are some amazing Grand Tour Works of Art available to purchase today at Nicholas Wells Antiques!

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£550£1,200,000