Early Renaissance Stylophore Column Bearing Lion

14th century early Renaissance pink Verona marble stylophore lion, originally as one of several column supports for a pulpit or entrance.
Italy, Circa 1400

Height: 43 cms (17 ins)
Length: 49.5 cms (19.5 ins)
Depth : 34.5 cms (13.5 ins)

Stylophore Lions, prevalent in medieval architecture, served a significant role as figurative sculptures supporting pedestals at the entrances of cathedrals. The term ‘stylophore’ is derived from Greek, meaning “stylus bearer” or more aptly, “column bearer.” It refers to sculptures of animals or mythical creatures positioned at the bases of supporting columns in porticos or pulpits, commonly found in Romanesque churches.

The lion, a recurring figure in these sculptures, is a potent symbol of strength. Its placement at church pulpits and entrances was emblematic of the protective force safeguarding the sacred space within. Medieval bestiaries, rich in symbolism and allegory, also cast the lion as a representation of Christ for several reasons. In the Book of Revelation (5:5-6), Christ is referred to as “the Lion of the tribe of Judah,” highlighting a direct biblical connection. Additionally, a common medieval belief was that lion cubs were born dead and brought to life on the third day by their father’s breath, mirroring the resurrection of Christ after three days.

Illustrated: The present piece published in “Fanfare for Europe The British Art Market 1973”