European Decorative Arts in the 18th Century

European Decorative Arts in the 18th Century

60 products
60 products

The 18th century was a golden age for the decorative arts in Europe, when aristocratic patronage, international trade, and masterful craftsmanship combined to produce objects of lasting beauty. Across continental Europe, from the palaces of southern Europe to the salons of northern Europe, new styles emerged — each reflecting regional character yet bound together by a shared pursuit of refinement and elegance.

At Nicholas Wells Antiques, we celebrate this extraordinary era through carefully curated pieces that embody the artistry and sophistication of 18th-century design.


Rococo: Lightness and Luxury in Continental Europe

First flourishing in France, Rococo spread rapidly across Europe, from Italy and Spain in the south to Germany and Scandinavia in the north. Characterised by playful asymmetry, gilded ornament, and soft colour palettes, Rococo furniture and decoration brought intimacy and charm into aristocratic interiors.

Highlights of Rococo craftsmanship include cabriole-legged chairs, bombe commodes, and gilt mirrors — pieces that blended comfort with exuberant decoration.


Porcelain: Europe’s Finest Achievement

Porcelain became one of the most coveted materials of the century, with manufactories across Europe competing to perfect and refine their artistry.

  • Meissen (Germany) pioneered the first European hard-paste porcelain, famed for lifelike figurines and painted detail.
  • Sèvres (France) produced sumptuous vases and tableware, collected by courts across continental Europe.
  • Capodimonte (Naples) exemplified the elegance of southern European porcelain, marked by painterly decoration and sculptural inventiveness.

Themes of nature, mythology, and chinoiserie were shared across Europe, reflecting both local taste and international exchange.


Tapestry: Northern and Southern European Mastery

Tapestry weaving reached new artistic heights, uniting narrative and ornament in silk and wool.

  • France’s Gobelins and Beauvais ateliers led continental production with mythological and pastoral epics.
  • In northern Europe, Flemish workshops produced richly coloured hangings prized across the continent.
  • In southern Europe, Italian centres wove smaller-scale ecclesiastical and decorative pieces.

Tapestries were not merely decoration but immersive storytelling devices, turning interiors into stage-sets of aristocratic taste.


Chinoiserie: Europe’s Exotic Fascination

Chinoiserie swept through both northern and southern Europe, reflecting European imaginings of Asia. Motifs of pagodas, dragons, and floral gardens enlivened furniture, ceramics, wallpaper, and lacquerware, often with playful, whimsical flair. From Parisian salons to English country houses, chinoiserie epitomised the European fascination with the exotic.


Silverware: Social Rituals in Precious Metal

Silversmiths across Europe transformed everyday rituals into displays of artistry and wealth.

  • English and Dutch workshops in northern Europe excelled in refinement, producing elegant tea sets and candelabra.
  • Spanish and Italian silversmiths in southern Europe created monumental ecclesiastical silver of dazzling effect.

Techniques such as repoussé, chasing, and engraving added layers of splendour, making silver central to both dining and ceremony.


Wallpaper: European Interiors Reimagined

Wallpaper emerged as a fashionable surface across Europe, turning walls into pictorial landscapes.

  • England led innovation in printed designs, with firms such as Cole & Son exporting across the continent.
  • Continental Europe embraced chinoiserie scenes, floral repeats, and panoramic landscapes, often inspired by textiles and engravings.

Wallpaper offered a cost-effective yet stylish alternative to tapestries, shaping interiors across both northern and southern Europe.


Britain’s Contribution to the European Tradition

Though geographically distinct, Britain played a vital role in the decorative arts of 18th-century Europe.

  • Thomas Chippendale published The Director, a pattern book that spread English Rococo and Neoclassical designs across the continent.
  • Robert Adam, inspired by the antiquities of southern Europe, developed a distinct Neoclassical language that influenced interiors from London to St Petersburg.
  • Matthew Boulton of Birmingham merged artistry with industry, producing ormolu and silverware admired throughout Europe.

Nicholas Wells Antiques and the European Tradition

At Nicholas Wells Antiques, our collection of 18th-century European decorative arts reflects this remarkable dialogue between northern and southern Europe, Rococo exuberance and Neoclassical clarity, courtly splendour and domestic comfort.

Whether it is a giltwood mirror from continental Europe, a finely chased piece of English silver, or a cabinet inspired by southern European antiquity, each object carries the legacy of an era when artistry defined civilisation.

Explore our 18th-century antiques collection to discover original pieces that embody the refinement, elegance, and cultural richness of Europe’s decorative golden age.

 

17th-century Spanish walnut Vargueno on stand with intricate drawers by Nicholas Wells Antiques
17th-century Spanish walnut Vargueno on stand with iron handles by Nicholas Wells Antiques, elegant Baroque craftsmanship
Spanish walnut Vargueno on stand | 17th Century
Nicholas Wells Antiques
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Rare early 18th century George II mahogany Pembroke table with drawer and stretcher from Collection CK30
George II mahogany Pembroke table with single drawer and pierced stretcher from Collection CK30, early 18th century design
George II Pembroke Table
Collection CK30
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18th century bronze prow of South Indian ‘Luang’ river ship, antique maritime artifact by Collection EE20
18th Century Bronze Prow Of A South Indian ‘Luang’ River Ship
Collection EE20
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George II Mahogany Revolving Dumbwaiter with three tiers and hairy paw feet in Chippendale style circa 1750.
George II Mahogany Revolving Dumbwaiter detailed hairy paw foot carved in mid-18th century Chippendale style wood.
George II Mahogany Revolving Dumbwaiter
Nicholas Wells Antiques
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Fine 18th Century Giltwood Wall Mirror 105x53cm with ornate floral and bird crest, Dutch Netherlands circa 1750.
Fine 18th Century Giltwood Wall Mirror 105x53cm with detailed floral crest and intricate giltwood carvings.
Fine 18th Century Giltwood Wall Mirror 105x53cm
Nicholas Wells Antiques
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Blue and White Delft Vases Mounted as Table Lamps with intricate floral 18th-century design from the Netherlands circa 1750.
Blue and White Delft Vases Mounted as Table Lamps, 18th Century Dutch porcelain with floral blue decoration, pair of lamps.
Blue and White Delft Vases Mounted as Table Lamps
Collection EE20
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Pair of 18th Century Rococo Parcel Gilt Italian Wall Brackets
Collection CK10
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George III Sheraton Satinwood Occasional Table with D-end drop panels and boxwood ebony stringing circa 1790 England
George III Sheraton Satinwood Occasional Table leg detail with caster and polished wood finish circa 1790 England.
George III Sheraton Satinwood Occasional Table
Collection CK30
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South China Sea storage jar with mottled brown glaze and ochre tones by Collection EE10, 48 cm tall pottery vessel
South China Sea Storage Jar
Collection EE10
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Chinese Export Famille Rose Porcelain Mug
Collection TH10
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George III Sheraton Satinwood Pole Screen
Nicholas Wells Antiques
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Set of five 18th century Bohemian gilt beakers with floral garlands by Nicholas Wells Antiques
Set of five Bohemian gilt beakers with floral garlands by Nicholas Wells Antiques, circa 1780, clear faceted glass
Bohemian Gilt Beakers
Nicholas Wells Antiques
£450.00
Pair of 19th century mahogany Gainsborough library chair frames from Collection CK40 with Chippendale style detailing
Pair of elegant Gainsborough library chair frames with detailed woodwork by Collection CK40, height 98cm, width 75cm, depth 81cm
Pair of Gainsborough Library Chair Frames
Collection CK40
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‘MUHAMMAD’S LADDER’ SHAMSHIR WITH GOLD MOUNTS
Collection ON20
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DECCANI MUGHAL DAGGER
Collection ON20
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Pair of Portuguese Carved Pedestals
Collection NE10
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George III mahogany longcase clock by Thomas Wright, circa 1785, offered by Nicholas Wells Antiques
Close-up of a George III Thomas Wright mahogany longcase clock dial with silvered regulator face by Nicholas Wells Antiques
Thomas Wright
Nicholas Wells Antiques
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George III Three-plate Giltwood Overmantel Mirror, late 18th century neo-classical giltwood design, 146 cm height, 106 cm width.
George III Three-plate Giltwood Overmantel Mirror with intricate giltwood frame and aged mirror panels circa 1780 England
George III Three-plate Giltwood Overmantel Mirror
The Sold Archive
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George II Chippendale Giltwood Mirror with intricate Rococo giltwood carvings and original mid-18th century plate.
George II Chippendale Giltwood Mirror close-up showing ornate carved giltwood frame with rococo leaf and scroll details
George II Chippendale Giltwood Mirror
Nicholas Wells Antiques
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18th Century Carton Pierre Gilt Wall Mirror with ornate giltwood frame in George III style, England circa 1775.
18th Century Carton Pierre Gilt Wall Mirror with ornate urn crest and foliate giltwood decoration circa 1775.
18th Century Carton Pierre Gilt Wall Mirror
Nicholas Wells Antiques
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