Neo-Classical

The Neo-Classical style was a popular decorative arts movement in Europe and England during the 18th century, and it was characterised by a return to the classical forms and motifs of ancient Greece and Rome. This movement was inspired by the archaeological discoveries of ancient ruins and artifacts, which sparked an interest in the classical past and encouraged many to embark on a Grand Tour.

In England, one of the most important figures of the Neo-Classical movement was the architect Robert Adam. Adam was known for his elegant and refined designs, which incorporated classical elements such as columns, pediments, and friezes. Adam’s work was characterised by its use of light colors, delicate ornamentation, and graceful lines.

The Neo-Classical movement also had an important influence on decorative arts such as furniture and ceramics. Furniture makers such as Thomas Sheraton and George Hepplewhite created elegant designs that were characterized by their clean lines, restrained ornamentation, and classical motifs such as urns, swags, and rosettes. These designs were often executed in light-colored woods such as satinwood and mahogany.

In ceramics, the Neo-Classical movement was reflected in the work of potters such as Josiah Wedgwood, who produced elegant pieces with classical motifs such as cameos, medallions, and urns. Wedgwood’s work was characterized by its crisp and refined designs, which often featured delicate relief work and intricate detailing.

Overall, the Neo-Classical movement in decorative arts was characterised by a return to the classical forms and motifs after the antique of ancient Greece and Rome, and it had a significant impact on design in both Europe and England during the 18th century. Its influence can still be seen in the elegant and refined designs of many contemporary decorative arts.