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Nestled within the rich tapestry of the mid-19th century’s furniture design, this black ebonised writing table emerges as a hallmark of refined taste and understated opulence. This fine piece, with its deep, lustrous ebonised surface, captures the essence of an era that championed both the ornamental and the utilitarian in domestic interiors.
The table’s surface, an expanse of darkened wood, speaks to the ebonising technique that was in vogue during the Victorian period. This process, which involved staining the surface to emulate the appearance of ebony, was not only favored for its aesthetic virtues but also for the protective qualities it imparted to the furniture. It’s a canvas that bears the imprint of time, with the possibility of each scratch and patina telling the silent stories of bygone days.
The frieze of the table presents a study in symmetry and functionality with its two drawers. These compartments, unassuming in their utility, are adorned with lion mask drop handles, a design choice that lends a regal touch to the desk. These masks, more than mere fixtures, are symbolic sentinels guarding the treasures tucked within.
Raising this table from the ground are the fluted tapering legs, an architectural feat that combines the strength of form with the elegance of line. The fluting details pay homage to classical columns, suggesting a lineage that stretches back to the grandeur of ancient Rome and Greece—a feature that was much admired in the eclectic tastes of the Victorian era.
The ensemble is grounded upon brass paw feet, the final flourish in this symphony of wood and metal. These feet, cast and un-polished, serve as both a foundation and a decorative element, a confluence of the functional and the ornamental.
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Stock Number: 12589
This rarefied unique piece is subject to availability.
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Telephone: +44 (0) 207 6920 897
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